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Despite the death of her husband Florenz Ziegfeld during the film’s production, she resumed acting shortly after his funeral.īillie Burke as Glinda with Judy Garland as Dorothy Galein The Wizard of Oz. She played Katharine Hepburn‘s mother in the film, which was Hepburn’s debut. When the family’s investments were wiped out in the Wall Street Crash the following year, she resumed screen acting to aid her husband.īurke made her Hollywood comeback in 1932, when she starred as Margaret Fairfield in A Bill of Divorcement, which was directed by George Cukor. As early as 1909, following her Broadway performance in My Wife (1909), department stores began carrying the “Billie Burke Dress,” with a signature flat collar and lace trim.”During this time, much of her wardrobe (on screen and off) was provided by the leading European couturier Lucile (in private life Lady Duff Gordon), whose New York branch was then the fashion mecca for socialites and entertainment celebrities.Burke reflected on her reputation as “a new kind of actress, carefree, and red-headed, and I had beautiful clothes.”ĭespite her success in film, Burke eventually returned to the stage, appearing in Caesar’s Wife (1919), The Intimate Strangers (1921), The Marquise (1927) and The Happy Husband (1928). The actress’s beauty and taste made her a major trendsetter throughout the 1910s and 20s. Among the films in which she appeared during this period were Arms and the Girl (1917), The Mysterious Miss Terry, Let’s Get a Divorce (1918), Good Gracious, Annabelle (1919), Away Goes Prudence (1920) and The Frisky Mrs. The star’s girlish charm rivaled her acting ability, and as she dressed to the hilt in fashionable gowns, furs and jewelry, her clothes sense also won the devotion of female audiences. Billie Burke starred primarily in provocative society dramas and comedies, similar in theme to The “Mind-the-Paint” Girl, her most successful American play.
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By 1917 Billie Burke was a favorite with silent movie fans, rivaling Mary Pickford, Lillian Gish, Clara Kimball Young and Irene Castle.
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She followed her first feature with the 15-part serial Gloria’s Romance (1916), another popular and critically acclaimed vehicle. Her success was phenomenal, and she was soon earning what was reputedly the highest salary ever granted to a motion picture actress up to that time. īurke was signed for the movies and made her cinematic debut in the title role of Peggy (1915). Two years later they had a daughter, author Patricia Ziegfeld Stephenson (1916–2008).
There she caught the eye of producer Florenz Ziegfeld, marrying him in 1914. Dot, Suzanne, The Runaway, The “Mind-the-Paint” Girl, and The Land of Promise from 1910 to 1913, along with a supporting role in the revival of Sir Arthur Wing Pinero‘s The Amazons. Burke went on to play leads on Broadway in Mrs.
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